Have I Mentioned the Lines?




There is naturally a major concern with security due to the scope and visibility of an event such as the World Cup. With over 3,500 credentialled journalists, just the marshalling of those, technology-laden, individuals became a day-to-day ordeal in moving from one venue to another. The photo of the long line outdoors is to enter the Berlin Olympiastadion, through one of two airport-style detection stations (those tents in the background). To arrive to this point, members of the media had to walk close to a mile to the far side of the venue from the train station to then be greeted by this scene. Now admittedly, this was a Brazil match but the media numbers were pretty consistent from match to match.
Every venue had an SMC (Stadium Media Center), which was generally located outside of the stadium proper and had several hundred work stations, a cafe', information desks, media offices, restrooms, and for my particular purpose, a photographers' match ticket distribution line. Match tickets were awarded along the lines of three priority groups: 1st Group: competing countries in that particular match and major media outlets (a somewhat shifting definition from match to match) 2nd Group: host country and other major publications and 3rd Group: Everyone else approved for that match. There were roughly 160 photographer seats set up behind the advertising sign boards at each venue.
For most matches I was in Group 3, though for some I found myself on the list in Group 2. No complaints, but then, no real explanation, either. For the three U.S. matches, I was, of course, in Group 1. After close to two weeks at the end of these lines, you'll notice I took my place at the head of the line for the final U.S. match (just once, I wanted to be first in one of those lines!) and got to choose almost the exact seat I wanted. It would have been the exact seat, one place to my right, but that was already held by a German news agency, which did not have to go through the ignominious process of the Distribution Line.
The upside of the match ticket lines was one being able to make or continue new, or old, acquaintances. The downside, if you were stuck in line with a bunch of Italian photographers, who live to talk faster than each other and incessantly complain about everything. This was particularly amusing when the process was derailed and very different at the U.S.-Italy match. At that venue (Kaiserslauten) the media officer chose to sit everyone down in the press conference room and call them, apparently at random, from the Group 1 list. My name came up fairly early in that process, as well, but the luck of day would have the view from that seat blocked by a number of players between me and the critical action of the U.S.'s tying goal. As with everything, there is always an element of luck.....
As with all the content of this blog, written and photographic, Copyrighted 2006, All Rights Reserved, Perry McIntyre, Atlanta, GA - USA.